Tracks

"Even Tho" has also inspired numerous artists to record their own versions, including Chet Atkins, Carl Mann, Connie Smith, Don Gibson, George Hamilton IV, and Matt King.

"I'm Easy" is an Academy Award-winning song written and performed by Keith Carradine for the 1975 movie Nashville.

"Plastic Jesus" is an American folk song originally penned by Ed Rush and George Cromarty in 1957.

Originally penned in 1948 by Stan Jones, "(Ghost) Riders in the Sky" is a quintessential cowboy ballad that has captured the imagination of listeners for decades.

For anyone who claims to put "America First," knowing this song is not just recommended—it’s essential.

His attempts to promote "From the River to the Sea" were also blocked, with TikTok rejecting the video submission under the pretence of it being a political ad.

This piano-only ballad marks a significant shift from her previous single, "Anything is Possible" which faced widespread hate from the mainstream media due to it's inherently right-wing nature.

What stands out in "Country To Save" is its ability to blend political message with musicality.

Penned by Lew DeWitt, the group's original tenor vocalist, this iconic track soared to the upper echelons of the charts upon its debut in 1966, earning accolades including the prestigious Grammy Award for Best Contemporary (R&R) Performance - Group (Vocal or Instrumental).

As the first single from Dean's highly anticipated album, 'I Got Roads', "Missin' How It Used To Be" sets the stage for what promises to be a remarkable musical journey.

Drusky’s delivery, coupled with the heartfelt narrative woven into the song, makes it a standout piece in the realm of country-infused mid-tempo ballads.

There are no flashy theatrics or elaborate production—just two men pouring their hearts out in praise and gratitude.

Even in the realm of cinema, "Ready for the Times to Get Better" has left its mark, with Crystal Gayle's version finding a place in Quentin Tarantino's "The Hateful Eight," adding an extra layer of depth to the film's narrative.

Penned by Wanda Mallette, Bob Morrison, and Patti Ryan, and brought to life by the rich baritone of Johnny Lee, this song has etched itself into the fabric of American country music history.