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The singer contends that individuals who believe cancel culture is necessary for holding people accountable may find themselves the targets of cancel culture eventually.

The lyrics paint a vivid picture of Viktor Razinov, a Russian clown Joel encountered during his tour of the Soviet Union in 1987.

Crafted by songwriters Bill Parsons and Orville Lunsford, the tune captures the spirit of its time, delving into the impact of Elvis's success and eventual draft into the army.

Osborne, moved by the invasion of South Korea by North Korean forces, crafted a song that seamlessly blended American nationalism with a fervent prayer for divine intervention.

Born Janet Marcum in 1930, she quickly earned the moniker "anti-Baez" for her sweet voice paired with politically barbed lyrics.

Bryson claims to have met Ye in Tokyo months ago, discussing matters of faith, repentance, and Christ-centered lyrics

Released in 1990 as part of the album Crazy World, the song became an international sensation, capturing the essence of a world undergoing significant geopolitical shifts.

Janet Greene, an influential figure in the 1960s, is remembered not only for her distinctive voice but also for her politically charged folk songs that took a staunch right-wing stance.

Lead singer Billie Joe Armstrong reportedly sang, "I’m not a part of a MAGA agenda," deviating from the original line, "I’m not a part of the redneck agenda."

It used to be performed in Coventry, England, as part of a play called "The Pageant of the Shearmen and Tailors," which told the Christmas story from the Gospel of Matthew.

"Although he was a man of power, he was scared of Eisenhower, so now the devil can retire, ‘cause old Joe Stalin will keep the fire" - Ray Anderson, 1953

Hi-Rez is a Bronx born, Florida raised hip-hop artist. His Second Amendment single, “Triggered,” is out now on Baste Records.

Released in 1952 on Mercury 6400, this anti-communist country anthem is a bold and unapologetic declaration of the duo's love for America and their disdain for communism.

Feucht's criticism raises questions about the balance between adapting to cultural shifts and upholding timeless principles of faith.