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The left's constant push for edgy content has now infiltrated even the toy aisle.

The suit, filed earlier this year, highlights claims of “abuse, exploitation, and self-dealing,” sparking bipartisan support and capturing the frustration of concertgoers nationwide.

At the heart of the issue lies BMI’s political entities license, which grants blanket permission for campaigns to use certain tracks without needing individual artist consent.

It’s an acknowledgment of the emotional and physical labor men endure to keep families and communities afloat, even when the weight threatens to crush them.

It's a reminder that movies should entertain, not preach or pander to expectations.

Now, while some might laud his philanthropy, like his covert donation to striking miners in the '80s, let's call a spade a spade – It turns out Springsteen's always been a card-carrying leftist.

It appears as though X's biggest opponents, who slammed Trump's creation of Truth Social in 2021 after he was banned from Twitter by the platform's old guard, have taken a page out of the soon-to-be 47th President of the United States' book.

The countercultural conservative scene has flourished online, circumventing traditional music gatekeepers, which has allowed an authentic grassroots movement to gain steam.

As the debate over royalties heats up, voices like Fino’s are amplifying the call for reform, urging leaders to stop the exploitation of artists and bring fairness back to the music industry.

Sean Feucht’s movement blends worship music and conservative activism, using gospel to inspire voters and push for leaders who represent Christian ideals.

Whether this drama is real or a publicity stunt, it all plays into a system that uses relationships and heartbreak to sell records and keep celebrities in the headlines.

Bryson Gray, who now focuses on Biblical music, has been outspoken about the costs he and other conservative artists faced for their pro-Trump stance before it gained wider acceptance.

If Harris couldn’t balance her own campaign budget, how could she manage the nation's economy?

Written by P.F. Sloan and Steve Barri, "Secret Agent Man" was initially created as the theme song for the U.S. version of the British spy series Danger Man, later known as Secret Agent.